Claire Cowie
Born: 1975
Lives and works in
Education
MFA 1999
Printmaking,
BFA
1997
Printmaking,
1990 – 1993 North Carolina School of the Arts,
Solo Exhibitions
2005
Village Elizabeth Leach Gallery,
2004
2003 Flying
Ladies of Leisure,
A
project involving a residency, an exhibition of past work, an exhibition of new
work
Stagings: Claire Cowie and the Monsen
Collection Photogravures,
A collection-based photo exhibition built around a series of recent
photogravures
Still Life on Blue, cherrydelosreyes Gallery,
2002 Stagings,
Selected Group Exhibitions
2006 Swallow
Harder: Selections from the Ben and
2005 A
Decade of Excellence: The Neddy
Unexpected
Watercolor Art Gym,
Release/Capture
2004 Summer
Group Show, cherrydelosreyes,
2003 Crossroads:
New Art From the Northwest, Center on Contemporary Art,
Dancing on the Walls, Pulliam Deffenbaugh
Gallery,
2002 Multiplex,
Bumbershoot,
32 Prints,
LAVA, Noodleworks Studio,
Introductions, Rental Sales Gallery,
2001 TRANSmogrified,
Unbecoming, Soil Cooperative,
Seattle
2000 Intervals,
Frames and Accelerations, Froelick Adelhart Gallery,
Plaster: Means/Ends, Soil Cooperative,
1999 2nd
Annual Printmaking Exhibition,
Master of Fine Arts Thesis Exhibition,
Collections
Amgen Corporation,
4Culture
Public Art Collection,
Microsoft
Corporation,
Swedish
Cancer Institute,
Artist Residencies
2003
2000 Centrum,
Professional Service
2004 – Present Board Member,
2003 Visiting Artist for Youth in Focus, an
organization dedicated to photography
education for
under-privileged children in the
2002 – 2003 Programming Committee Member, Contemporary Art
Council, Seattle Art
Museum
2001 –
Present Board Member,
1999 Publications/ Catalogue
Chair, Graduate Student Committee, University of
Washington,
Bibliography
Janet
Koplos, “Report from
Emily
Hall, “Claire Cowie:
Judy
Wagonfeld, “An Artist Cuts up Her Old Works to Create Intriguing Collages,” Seattle Post-Intelligencer, March 5,
2004 (image)
Suzanne
Beal, “The Tiny, the Indeterminate and the Ever-Changing,” ArtDish, http://www.artdish.com/the-dish.asp?ID=44 October 2003 (images)
Sara Krajewski, “Claire
Cowie at the
Regina Hackett, “Henry’s
fit to burst with its bounty of contemporary art,”
Leah Ollman, “Recasting
Objects of Childhood,” Los Angeles Times,
Emily Hall, “Framed in
Sheila Farr, “Northwest
Art Converges at COCA’s Crossroads,” The
Seattle Times,
Elizabeth Brown and Lisa
Corrin, “The Mountain is Out,” Modern
Painters, Autumn 2002 p. 47
Emily Hall, “In and Out
of Context: The Secret Life of Tschotkes,” The
Stranger,
Rhonda Howard “Claire
Cowie: River in Human Skin,” LAVA 2002
catalogue, Thread, 2002 pp. 34-37 (image)
Sheila Farr, “Talent of
the Future Taking Shape,” The Seattle
Times,
Regina Hackett, “Things
Change: Art is Becoming in a
Sheila Farr, “Rethinking What’s Beautiful and
Beastly,” The Seattle Times,
Cynthia Rose, “Artist’s
Work Highlights Life’s Essential Anarchy,” The
Seattle Times, December 10 1999 (image)
Grants and Awards
2005 Pollock-Krasner Foundation Grant
2004 Neddy Artist Fellowship, Behnke Foundation
Fellowship Award, Artist
Trust/Washington State Arts Commission
2000 GAP Award (Grants for Artist’s Projects) Artist
Trust, Seattle
1998 Parnassus Scholarship,
1997 Gonzales Fine Arts Scholarship,
1995 Edmund H. Wuerpal
Award for Printmaking,
1993
1992 John M. Ehle, Jr.
Scholarship,