Txt

John Bankston
Amy Blakemore

Davis and Langlois
Tanya Batura
Margot Quan Knight
Mirror Mirror
Alexander Kroll
Jason Hirata
Amir Zaki
Ron Nagle
Akio Takamori
Danny Lyon
Mary Ann Peters
Luis Tomasello
Eric Elliott
Andrew Witkin
Jeffry Mitchell
Steve Davis
Introductions: David Huffman
Adam Sorensen
Francois Van Reenen
Beth Campbell
Claude Zervas
Stephanie Syjuco
Todd Simeone
Jason Teraoka
Vik Muniz

Scott Foldesi
Mark Mumford
Claire Cowie
Yunhee Min
Roy McMakin
Tania Kitchell
Richard Rezac
Carlos Vega
Eric Elliott
Squeak Carnwath
Maki Tamura

Margot Quan Knight
Gary Hill
Message In A Bottle
Adam Sorensen
Claire Cowie
Bing Wright
Roy McMakin
Katrina Moorhead
Claudette Schreuders
Marcelino Goncalves
room X room
Rashid Johnson
Scott Foldesi
Shaun O'Dell
Claude Zervas
Amir Zaki
Glenn Rudolph
Angela Fraleigh
Jeffry Mitchell
Steve Davis
Mary Ann Peters
Mark Mumford
Roy McMakin
Geoffrey Chadsey
Patrick Holderfield
Junctions
Todd Simeone
Claire Cowie
Laura Letinsky
Keith Tilford
Mary Ann Peters
Jeffry Mitchell
Richard Rezac
Stephanie Syjuco
Claude Zervas
Squeak Carnwath
Marcelino Gonçalves
Peter Schuyff
Tom Baldwin
Tania Kitchell
Jeffry Mitchell

Shaun O'Dell

Mark Mumford

Efrain Almeida

Keith Tilford
Glenn Rudolph
Claire Cowie
Patrick Holderfield

Ramona Trent
Roy McMakin
Yunhee Min

Claude Zervas

Casey Keeler

Henry Turmon
Lisa Liedgren
Laurie Reid
Amir Zaki
Adam Ross
Richard Rezac
Geoffrey Chadsey
Claire Cowie
Michelle Fierro



Adam Sorensen
June 11 - July 11, 2009


 

Curtains, 2009, Oil on Linen, 40” x 44"

 

 

James Harris Gallery is pleased to present Waterwegen, our second exhibition of paintings by Portland artist Adam Sorensen. Giving new meaning to the Romantic landscape, the artist considers that modern man has since conquered and estranged himself from nature. What was once the voyage of the painter to the fringes of civilization to depict the landscape’s grandeur now instead must be imagined by the artist and imbued with more fantastical ideas.

Sorensen is inspired by a broad synthesis of styles, from heroic Western landscape painting to Japanese anime.  The artist’s central focus in this new group of paintings is moving water.  In the history of painting, water has been used as a subject not only to depict the tranquility of the pastoral landscape but also as a powerful force of nature. 

Using hot acid colors in combination with a dark deep rich palette, Sorensen elicits a new-found awe in viewers. The main subject of Curtains is a rushing waterfall, a life-giving force to land. Yet as life generates with the flow of water and the glow of color, the place seems to be in an apocalyptic state. Blocks of color are braided into the bluff in the foreground, anchoring the eye while the perspective continues vastly onward. Because of Sorensen’s point of view, the viewer feels as if perched on a cliff, causing both vertigo and a rush of excitement.

With the tension he has created between monumentality of his subject matter and his vibrant atmosphere, Sorensen captures our awkward and displaced relationship with the vital yet diminishing natural environment. Still reverent, the rejuvenated narrative of these landscapes represents the precipice between life and death. 

 


 

 

Hide Out, 2009
OIl on Linen
64" x 47"

 

Banks II, 2009
OIl on Linen
40" x 44"

 
 

Heaps, 2009
OIl on Linen
67" x 79"

 

Banks I, 2009
OIl on Linen
40" x 44"

 

Tesselated Shore, 2009
OIl on Linen
34" x 38"