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John Bankston
Amy Blakemore

Davis and Langlois
Tanya Batura
Margot Quan Knight
Mirror Mirror
Alexander Kroll
Jason Hirata
Amir Zaki
Ron Nagle
Akio Takamori
Danny Lyon
Mary Ann Peters
Luis Tomasello
Eric Elliott
Andrew Witkin
Jeffry Mitchell
Steve Davis
Introductions: David Huffman
Adam Sorensen
Francois Van Reenen
Beth Campbell
Claude Zervas
Stephanie Syjuco
Todd Simeone
Jason Teraoka
Vik Muniz

Scott Foldesi
Mark Mumford
Claire Cowie
Yunhee Min
Roy McMakin
Tania Kitchell
Richard Rezac
Carlos Vega
Eric Elliott
Squeak Carnwath
Maki Tamura

Margot Quan Knight
Gary Hill
Message In A Bottle
Adam Sorensen
Claire Cowie
Bing Wright
Roy McMakin
Katrina Moorhead
Claudette Schreuders
Marcelino Goncalves
room X room
Rashid Johnson
Scott Foldesi
Shaun O'Dell
Claude Zervas
Amir Zaki
Glenn Rudolph
Angela Fraleigh
Jeffry Mitchell
Steve Davis
Mary Ann Peters
Mark Mumford
Roy McMakin
Geoffrey Chadsey
Patrick Holderfield
Junctions
Todd Simeone
Claire Cowie
Laura Letinsky
Keith Tilford
Mary Ann Peters
Jeffry Mitchell
Richard Rezac
Stephanie Syjuco
Claude Zervas
Squeak Carnwath
Marcelino Gonçalves
Peter Schuyff
Tom Baldwin
Tania Kitchell
Jeffry Mitchell

Shaun O'Dell

Mark Mumford

Efrain Almeida

Keith Tilford
Glenn Rudolph
Claire Cowie
Patrick Holderfield

Ramona Trent
Roy McMakin
Yunhee Min

Claude Zervas

Casey Keeler

Henry Turmon
Lisa Liedgren
Laurie Reid
Amir Zaki
Adam Ross
Richard Rezac
Geoffrey Chadsey
Claire Cowie
Michelle Fierro


Roy McMakin

 

Untitled, 2007, Pencil on paper, 11" x 14"


The James Harris Gallery is pleased to announce an exhibition of drawings by Roy McMakin in our project space. Informed not only by traditional painting and sculpture, McMakin’s style also developed out of architectural and furniture design. Where the hand of the artist is removed from his sculptural and photographic works, in the drawings it is palpably present. His pencil drawings therefore become an intimate act of expression for the artist; a solitary moment in which his mark making is driven by something largely felt, or initiated by and guided within intuition.

In one series of drawings, strong hard lines perfectly draft cabinets and other pieces of furniture while McMakin’s mark-making and lighthearted compositions instill the work with a personal touch. These are not simply studies of form but through chiascuro and line the artist gives these inanimate objects are given a sense of humanness, beauty and humor. A chest-of-drawers takes on a personality. In one composition, it lies on its back, in another the chest bounces of an implied ground. Through subtle animations McMakin is evocative and sweet without being cloy.

In other works, a dense overlaying of arabesques, squiggles and lines create a maelstrom of information in which domestic objects and shapes tangle together. At first glance the drawings appear as scribbled sketches. Then the complexities unfold. The compositions revealing a sense of pleasure in things found in our ordinary environs.

     

 



 


 
 
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Untitled, 2007, Pencil on paper, 11" x 14"
 

 
Untitled, 2007, Pencil on paper, 11" x 14"
 




Untitled, 2007, Pencil on paper, 11" x 14"