Adam Sorensen
François Van Reenen

Jeffry Mitchell
Steve Davis
Introductions:
David Huffman

Beth Campbell
Claude Zervas
Stephanie Syjuco
Todd Simeone
Jason Teraoka
Vik Muniz

Scott Foldesi
Mark Mumford
Claire Cowie
Yunhee Min
Roy McMakin
Tania Kitchell
Richard Rezac
Carlos Vega
Eric Elliott
Squeak Carnwath
Maki Tamura

Margot Quan Knight
Gary Hill
Message In A Bottle
Adam Sorensen
Claire Cowie
Bing Wright
Roy McMakin
Katrina Moorhead
Claudette Schreuders
Marcelino Goncalves
room X room
Rashid Johnson
Scott Foldesi
Shaun O'Dell
Claude Zervas
Amir Zaki
Glenn Rudolph
Angela Fraleigh
Jeffry Mitchell
Steve Davis
Mary Ann Peters
Mark Mumford
Roy McMakin
Geoffrey Chadsey
Patrick Holderfield
Junctions
Todd Simeone
Claire Cowie
Laura Letinsky
Keith Tilford
Mary Ann Peters
Jeffry Mitchell
Richard Rezac
Stephanie Syjuco
Claude Zervas
Squeak Carnwath
Marcelino Gonçalves
Peter Schuyff
Tom Baldwin
Tania Kitchell
Jeffry Mitchell

Shaun O'Dell

Mark Mumford

Efrain Almeida

Keith Tilford
Glenn Rudolph
Claire Cowie
Patrick Holderfield

Ramona Trent
Roy McMakin
Yunhee Min

Claude Zervas

Casey Keeler

Henry Turmon
Lisa Liedgren
Laurie Reid
Amir Zaki
Adam Ross
Richard Rezac
Geoffrey Chadsey
Claire Cowie
Michelle Fierro

SCOTT FOLDESI
January 8 – February 14, 2009

Scott Foldessi- Motel Pool
Motel Pool, 2008 oil on canvas 57" x 69"

James Harris Gallery is pleased to present our second solo exhibition of paintings by Scott Foldesi. Working from photographs culled from various media sources or shot by the artist himself, the artist’s paints landscapes and interiors that are eerily familiar. Converting an otherwise ordinary locale into a dramatic symbol of the American vernacular landscape, Foldesi paints strip malls, parking lot, big box retailers, and motels often bereft of human activity. His subject matter that is normally full of life is now deserted monuments. Foreshortened compositions, reduced forms and vibrant colors imbue the paintings with a sense of irony.

Foldesi’s practice involves distilling mundane or everyday spaces down to its essential details that we take for granted. In a work titled Motel Pool, the compressed space of the foreground is made active by the rippling water of an empty pool. A lovingly painted decorative cinder block wall separates the warm water of the pool from a gas station and fast food joint next door. Foldesi often leaves portions of the canvas unpainted as compositional devices to heighten apathy yet add beauty through the void.

By flattening the pictorial stage, Foldesi’s painting brings to fore the impersonal nature of a society on the move. These paintings are not social commentary; they poignantly convey the beauty found in the everyday places we often overlook. As our digitized and networked world amplifies less human connectivity, Scott Foldesi’s paintings make us stop and reflect on the transitory nature of our environment finding hope in less is more.

Scott Foldesi received his M.F.A. in painting and drawing from the University of Oregon. Living and working in Seattle, Foldesi's work has appeared locally at Seattle University's Hedreen Gallery, the Center on Contemporary Art, and is also included in the Microsoft collection. Foldesi was awarded a 2008 Artist Trust Fellowship.

Bench, 2008
Oil on canvas

48 x 40 inches

Tabloids, 2008
Watercolor, sumi color
and pencil on paper
45 x 60 inches

Gas Station , 2008
Oil on canvas

28 x 34 inches

Motel, 2008
Oil on canvas

28 x 84 inches

   

Superstore, 2008
Oil on canvas

46 x 61 inches

Truck Stop , 2008
Oil on canvas

25 x 33 inches