Carlos Vega
Eric Elliott



Tania Kitchell
Richard Rezac


Squeak Carnwath
Maki Tamura

Margot Quan Knight
Gary Hill
Message In A Bottle
Adam Sorensen
Claire Cowie
Bing Wright
Roy McMakin
Katrina Moorhead
Claudette Schreuders
Marcelino Goncalves
room X room
Rashid Johnson
Scott Foldesi
Shaun O'Dell
Claude Zervas
Amir Zaki
Glenn Rudolph
Angela Fraleigh
Jeffry Mitchell
Steve Davis
Mary Ann Peters
Mark Mumford
Roy McMakin
Geoffrey Chadsey
Patrick Holderfield
Junctions
Todd Simeone
Claire Cowie
Laura Letinsky
Keith Tilford
Mary Ann Peters
Jeffry Mitchell
Richard Rezac
Stephanie Syjuco
Claude Zervas
Squeak Carnwath
Marcelino Gonçalves
Peter Schuyff
Tom Baldwin
Tania Kitchell
Jeffry Mitchell

Shaun O'Dell

Mark Mumford

Efrain Almeida

Keith Tilford
Glenn Rudolph
Claire Cowie
Patrick Holderfield

Ramona Trent
Roy McMakin
Yunhee Min

Claude Zervas

Casey Keeler

Henry Turmon
Lisa Liedgren
Laurie Reid
Amir Zaki
Adam Ross
Richard Rezac
Geoffrey Chadsey
Claire Cowie
Michelle Fierro

Previous Exhibition
Shaun O'Dell
"Last Stand of the Invisible Hand"
Works on paper
Sept. 2 - Oct. 9, 2004
 

James Harris Gallery is pleased to announce an exhibition of drawings by Shaun O'Dell. The artist creates intricate, highly coded drawings, the elements which recall the mythology of the American frontier and the spirit of conquest evoked by the nineteenth -century expansionist doctrine of Manifest Destiny. Such themes have been distilled into tightly honed iconography of crisply rendered glyph-like forms. The motifs in O'Dell's vocabulary included log cabins, three masted ships, peregrine falcons and the head of Puritan pilgrims or Daniel Boone-esque frontiersmen. These elements tend to suggest either the migratory movements of people and creatures or the staked claims of early homesteaders. Above all, O'Dell explores mankind's longstanding fascination with nature- the desire to claim and master it-and the deep-seated effects of such drives on the collective psyche.

O'Dell received his MFA from Stanford University in 2004. He is the recipient of the 2004 SECA Art Award given by the San Francisco Museum of Modern Art. His work was also included in the exhibition "International Paper" at the UCLA Hammer Museum in 2003.

     
Leave the Capital, 2004
Ink and Gouache on paper
50 x 38"
  (detail)
 
         
         
         
     
Primitive Contract for Metropolis Consumption vortex, 2004
Ink and Gouache on paper
26 x 35"
 
(detail)
   
         
     
 
     

The Extractor Ghosts Post-accumulation Accumulation, 2004
Colored Ink on Bristol Board
Diptych

23 x 58"

  (detail)    
       
         
     
Trans-scriptural Awakening from the Horizon of Blood Extraction, 2004
Ink on Bristol Board
29 x 23"
  (detail)    
         
         
         
         
         
         
         

 

 


 

 



 

   
  Please click each thumbnail for a larger image to pop up in a new window.
   
 
 

 
"Prophesy Extraction at the Confluence of Kykuit, The Western Medicinal Compact and the Southern Decline of a Blind Consensual Chiming", 2004
Ink and Gouache on paper
58 x 96"
   
 
 
 
 
The Transformers Diagram Showing Imperialist Expansion of Continental Altitudes, 2004
Ink and Gouache on paper

26 x 23"
 
   
   
 
 
 
Where’s Blood Mountain?, 2004
Ink and Gouache on paper
26 x 23"
   
   
 
 

Sunrise Over Historic discussion, 2004
Ink on Bristol Board
29 x 23"