John Bankston
Amy Blakemore

Noah Davis

Txt
Davis and Langlois
Tanya Batura
Margot Quan Knight
Mirror Mirror
Alexander Kroll
Jason Hirata
Amir Zaki
Ron Nagle
Akio Takamori
Danny Lyon
Mary Ann Peters
Luis Tomasello
Eric Elliott
Andrew Witkin
Jeffry Mitchell
Steve Davis
Introductions: David Huffman
Adam Sorensen
Francois Van Reenen
Beth Campbell
Claude Zervas
Stephanie Syjuco
Todd Simeone
Jason Teraoka
Vik Muniz

Scott Foldesi
Mark Mumford
Claire Cowie
Yunhee Min
Roy McMakin
Tania Kitchell
Richard Rezac
Carlos Vega
Eric Elliott
Squeak Carnwath
Maki Tamura

Margot Quan Knight
Gary Hill
Message In A Bottle
Adam Sorensen
Claire Cowie
Bing Wright
Roy McMakin
Katrina Moorhead
Claudette Schreuders
Marcelino Goncalves
room X room
Rashid Johnson
Scott Foldesi
Shaun O'Dell
Claude Zervas
Amir Zaki
Glenn Rudolph
Angela Fraleigh
Jeffry Mitchell
Steve Davis
Mary Ann Peters
Mark Mumford
Roy McMakin
Geoffrey Chadsey
Patrick Holderfield
Junctions
Todd Simeone
Claire Cowie
Laura Letinsky
Keith Tilford
Mary Ann Peters
Jeffry Mitchell
Richard Rezac
Stephanie Syjuco
Claude Zervas
Squeak Carnwath
Marcelino Gonçalves
Peter Schuyff
Tom Baldwin
Tania Kitchell
Jeffry Mitchell

Shaun O'Dell

Mark Mumford

Efrain Almeida

Keith Tilford
Glenn Rudolph
Claire Cowie
Patrick Holderfield

Ramona Trent
Roy McMakin
Yunhee Min

Claude Zervas

Casey Keeler

Henry Turmon
Lisa Liedgren
Laurie Reid
Amir Zaki
Adam Ross
Richard Rezac
Geoffrey Chadsey
Claire Cowie
Michelle Fierro



Tanya Batura
Scultpure
May 20 toJune 19, 2010


 

Untitled, 2007, earthenware and acrylic, 7 x 13 x 9 inches (detail)

 

 

 

 

James Harris Gallery is pleased to present an exhibition of sculptures by Tanya Batura. Based in Los Angeles, the ceramic artist creates disembodied heads that are both sensual and disturbing. This is her first exhibit with the gallery.

Crafted from earthenware and airbrushed with acrylic paint, Batura’s figures are anonymous, with features both idealized and abstracted. “My figures are a compilation of conflicting ideas and emotions that are derivative of the ideal beauty inherent in traditional figurative sculpture and the abstract beauty that is found in the contemporary non artistic photographic representation of the body,” explains the artist.  “Close-ups of fashion models, dental and surgical procedures, as well as fetish and memorial photography can be comparable with the beauty of an exquisite marble figure.” Sometimes the sculptures are dead white, with blank eyes, and only a smear of pink or red at the mouth. With finely wrought features interrupted by an undeniable strangeness, these works display a sensuality that is simultaneously entrancing and unsettling.

While the surfaces of the sculptures are polished, there is often an underlying sense of something amiss. Some figures possess subtly glowing eyes, or what appears to be a rip in the sculptural skin. Many of these forms might technically be called busts, but for the fact that they often rest on their cheeks, with an exaggerated wood grain pattern exposed where the head would connect to the body. The blank eyes posses an eerie quality that seems to challenge the sensual detailing of plump lips, delicate chins, and finely formed noses. The newer works, which are a bronze-like hue, reference classical sculpture as well. These striking sculptures offer an unusual look at the figure, showing the human form as malleable, vulnerable, and imperfect.

Tanya Batura received her MFA from UCLA in 2003, after completing a BFA from the University of Washington in 1998. Her work has been seen in exhibitions at Dubhe Carreño Gallery, (Chicago IL), New Wight Ga1lery, (Los Angeles, CA), and the Wayne Art Center, Philadelphia, PA. Her work is currently on view as part of the Disquieted exhibition atthe Portland Art Museum, (Portland, OR). Batura’s works are collected at Arizona State University Art Museum Ceramics Research Center, (Tempe, Arizona), Nerman Museum of Contemporary Art, (Overland Park, Kansas), and Portland Art Museum, (Portland, Oregon).

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


 

 

 

 

 

 

Untitled, 2007
Earthenware, acrylic
7" x 13 " x 9"

Monochrome B, 2008
Earthenware, Acrylic
13" x 18" x 10"

Monchrome G, 2008
Earthenware, Acrylic
8 " x 13"
x 12"


Install views

 



 

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