Txt

John Bankston
Amy Blakemore

Davis and Langlois
Tanya Batura
Margot Quan Knight
Mirror Mirror
Alexander Kroll
Jason Hirata
Amir Zaki
Ron Nagle
Akio Takamori
Danny Lyon
Mary Ann Peters
Luis Tomasello
Eric Elliott
Andrew Witkin
Jeffry Mitchell
Steve Davis
Introductions: David Huffman
Adam Sorensen
Francois Van Reenen
Beth Campbell
Claude Zervas
Stephanie Syjuco
Todd Simeone
Jason Teraoka
Vik Muniz

Scott Foldesi
Mark Mumford
Claire Cowie
Yunhee Min
Roy McMakin
Tania Kitchell
Richard Rezac
Carlos Vega
Eric Elliott
Squeak Carnwath
Maki Tamura

Margot Quan Knight
Gary Hill
Message In A Bottle
Adam Sorensen
Claire Cowie
Bing Wright
Roy McMakin
Katrina Moorhead
Claudette Schreuders
Marcelino Goncalves
room X room
Rashid Johnson
Scott Foldesi
Shaun O'Dell
Claude Zervas
Amir Zaki
Glenn Rudolph
Angela Fraleigh
Jeffry Mitchell
Steve Davis
Mary Ann Peters
Mark Mumford
Roy McMakin
Geoffrey Chadsey
Patrick Holderfield
Junctions
Todd Simeone
Claire Cowie
Laura Letinsky
Keith Tilford
Mary Ann Peters
Jeffry Mitchell
Richard Rezac
Stephanie Syjuco
Claude Zervas
Squeak Carnwath
Marcelino Gonçalves
Peter Schuyff
Tom Baldwin
Tania Kitchell
Jeffry Mitchell

Shaun O'Dell

Mark Mumford

Efrain Almeida

Keith Tilford
Glenn Rudolph
Claire Cowie
Patrick Holderfield

Ramona Trent
Roy McMakin
Yunhee Min

Claude Zervas

Casey Keeler

Henry Turmon
Lisa Liedgren
Laurie Reid
Amir Zaki
Adam Ross
Richard Rezac
Geoffrey Chadsey
Claire Cowie
Michelle Fierro



Andrew Witkin: all with variations
September 3 - October 3


 

all with variation Installation

 

James Harris Gallery is pleased to present its first solo exhibition by artist Andrew Witkin. The artist will create a new installation at the gallery comprised of simple furniture and arranged personal effects.  Witkin works with photography, furniture, text, and other objects as agents to critique how images/objects are conditioned by specific frameworks.  Witkin poetically explores the visual characteristics of objects and their formal structures.  The placement of each object is key to transforming the context of its origin into an open-ended narrative telling a story about the way the artist navigates the world.

The installation will consist of eight chairs and two shelves on which groups of objects have been placed.  The chairs are placed in two rows facing an empty wall implying a lecture hall.  At first glance they appear to be benches with odd breaks in the back and seat.  On one shelf sits a stack of unused frames, a stack of unused mats and three piles of clippings.   The clippings subtly investigate aspects of education, community, strength and/or solitude.  The second shelf contains framed found photographs from the artist's personal collection.  The installation is imbued with something personal yet removed to allowing viewers to bring their own relationship to it.

Witkin’s practice investigates objects as a form of experience, suggesting a history and questioning the narrative of personal and public information.  The spectator or viewer becomes an active participant in completing this process by interpreting the meticulous details of the installation.   The objects can be viewed as separate or part of a whole, thus Witkin installations become metaphoric for the self and contemporary society.  He often uses simple geometries or repetitive forms paralleling minimalist aesthetics to uncover aspects of daily life.  Like Witkin's previous installations, this work focuses on an experiential system that encompasses the artwork, the viewer, and the context in which all are carefully woven together.

 

 


 

 

 

 

 

 
 

untitled, 1998 to xxxx
three framed found photographs, one framed newspaper clipping on ApplePly wood and square drive screws
12” x 96” x 3”


 
 

untitled, 1996 to xxxx
ten frames, 23 full mats, 11 mats with pre-cut openings, one pile of clippings 'in context' (i.e. with captions, other info, full articles, etc), one pile of clippings 'out of context' (i.e. no captions, incomplete info) and one pile of clippings that have 'errors' (i.e. in the commercial printing process of magazines, newspapers, etc, inconsistent printing happens) on ApplyPly wood and square drive screws
9 ” x 76” x 16”


 
 

untitled, 1996 to xxxx DETAIL


 
 

untitled, 2001 to xxxx
ApplyPly wood and square drive screws in two units of four, Each unit an edition of 25
32 ” x 16” x 16”