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Carlos
Vega
Eric
Elliott
Tania
Kitchell
Richard Rezac
Squeak
Carnwath
Maki Tamura
Margot
Quan Knight
Gary Hill
Message In A
Bottle
Adam Sorensen
Claire Cowie
Bing Wright
Roy McMakin
Katrina Moorhead
Claudette
Schreuders
Marcelino
Goncalves
room X room
Rashid Johnson
Scott Foldesi
Shaun O'Dell
Claude Zervas
Amir Zaki
Glenn Rudolph
Angela Fraleigh
Jeffry Mitchell
Steve Davis
Mary Ann Peters
Mark Mumford
Roy McMakin
Geoffrey
Chadsey
Patrick
Holderfield
Junctions
Todd Simeone
Claire Cowie
Laura
Letinsky
Keith
Tilford
Mary Ann Peters
Jeffry Mitchell
Richard
Rezac
Stephanie
Syjuco
Claude Zervas
Squeak Carnwath
Marcelino Gonçalves
Peter Schuyff
Tom Baldwin
Tania Kitchell
Jeffry Mitchell
Shaun O'Dell
Mark Mumford
Efrain Almeida
Keith Tilford
Glenn Rudolph
Claire Cowie
Patrick Holderfield
Ramona Trent
Roy McMakin
Yunhee Min
Claude Zervas
Casey Keeler
Henry Turmon
Lisa Liedgren
Laurie Reid
Amir Zaki
Adam Ross
Richard Rezac
Geoffrey Chadsey
Claire Cowie
Michelle Fierro
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Previous
Exhibition
Claude
Zervas
"The County"
July 7 - August 20, 2005
Opening Reception: Thursday, July 7th 6-8pm
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In this exhibition Claude Zervas continues to investigate aspects
of the northwest landscape through video, digital photography and
electronic sculpture. For Zervas, landscape is a complex dialogue
between nature and culture. It becomes the locus for all supporting
human activity. Zervas' work subtly examines the geography of Western
Washington to create a visual framework for who we are and the history
and values of the place we inhabit.
By employing
elements of technology, the artist seeks to demonstrate its complicity
in abstracting reality. Zervas continues his use of thin fluorescent
lights, wire and transformers, to construct sculptures. For "Nooksack,"
Zervas has fabricated his largest sculpture to date. Based on the
geography of the Nooksack River, the artist has used thirty-two
9" fluorescent bulbs and hundreds of feet of cascading white
wire to create a luminous work that floats above the floor. The
lights trace the flow of the river as it winds itself toward the
Puget Sound. The gestures of the wires connecting the lights act
as a three-dimensional drawing mechanically creating its own topology.
In another work titled "La Bûche," a six-foot slice
of a tree is punctuated with pulsating LEDs placed in knotholes.
This sculpture floats off the wall and emits a gentle green glow
from behind it. Zervas' dissection of the landscape is as varied
and complex as the original landscapes themselves. His working landscapes
are shaped from the finite wilderness. His landscapes spring from
a culture of analysis, whether it is economic efficiencies, scientific
evaluations or the drama of reality.
A video projection
will accompany the light pieces. Zervas has developed a computer
program that homogenizes the color of the adjoining pixels. Through
digital means a forested landscape is transformed into an abstracted
computer generated reality and back again. The manipulative power
of technology is also explored with unique digital prints titled
"Forest" and Veneer." The former is a luscious verdant
Northwest landscape and the latter is a beautiful rectangular segment
of a piece of wood. The reality of each image comes into question.
Gallery hours
are Wednesday through Saturday 11:00 to 5:00 and by appointment.
Photography is available upon request.
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Please
click each thumbnail for a larger image to pop up in a new window. |
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Installation
view:
Nooksak with Forest #3 projection |
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Installation
view |
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Veneer,
2005
Unique digital pigment print, color shifting urethane, on watercolor
paper
image size: 24"h x 16"w
paper size: 30"h x 22"w
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Forest
#2, 2005
Unique digital pigment print, color shifting urethane, on watercolor
paper
image size: 24"h x 16"w
paper size: 30"h x 22"w |
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Nooksack,
2005
CCFL lamps, wfire, electronics, steel
36" x 96” x 216”
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La
Bûche, 2005
Fluorescent Lamps, custom electronics, wood
72” x 14” x 7”
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Lydia
Shoal, 2004
CCFL lamps,
wfire, electronics, steel
Dimensions variable
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