Carlos Vega
Eric Elliott



Tania Kitchell
Richard Rezac


Squeak Carnwath
Maki Tamura

Margot Quan Knight
Gary Hill
Message In A Bottle
Adam Sorensen
Claire Cowie
Bing Wright
Roy McMakin
Katrina Moorhead
Claudette Schreuders
Marcelino Goncalves
room X room
Rashid Johnson
Scott Foldesi
Shaun O'Dell
Claude Zervas
Amir Zaki
Glenn Rudolph
Angela Fraleigh
Jeffry Mitchell
Steve Davis
Mary Ann Peters
Mark Mumford
Roy McMakin
Geoffrey Chadsey
Patrick Holderfield
Junctions
Todd Simeone
Claire Cowie
Laura Letinsky
Keith Tilford
Mary Ann Peters
Jeffry Mitchell
Richard Rezac
Stephanie Syjuco
Claude Zervas
Squeak Carnwath
Marcelino Gonçalves
Peter Schuyff
Tom Baldwin
Tania Kitchell
Jeffry Mitchell

Shaun O'Dell

Mark Mumford

Efrain Almeida

Keith Tilford
Glenn Rudolph
Claire Cowie
Patrick Holderfield

Ramona Trent
Roy McMakin
Yunhee Min

Claude Zervas

Casey Keeler

Henry Turmon
Lisa Liedgren
Laurie Reid
Amir Zaki
Adam Ross
Richard Rezac
Geoffrey Chadsey
Claire Cowie
Michelle Fierro

Previous Exhibition

Jeffry Mitchell
Ceramic Sculpture

November 17- December 23, 2005

 
"Nothing Gold Can Stay"

Nature's first green is gold,
Her hardest hue to hold.
Her early leaf's a flower,
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

Robert Frost 1923


 Installation view
   
James Harris Gallery is pleased to announce an exhibition of new ceramic sculpture by Jeffry Mitchell. The artist makes intensely seductive objects that exploit the traditional decorative qualities associated with ceramics. This selection of work was made while working as a resident artist at the Archie Bray Foundation in Helena, Montana this summer. Fabricated out of terra cotta earthenware with a low-fire commercial glaze, Mitchell's low-class low-craft objects aspire to the luxurious baroque. This is not the baroque of 17th century Europe, but the baroque of the America West: Remington bronzes, rodeo belt buckles, and the cheap prizes found at a shooting gallery.

Mitchell's fantastically ornate ceramic vessels, exaggerated by the sheen of the glaze, put into play the disparate lore and analysis of the craft. According to Mitchell, "the objects convey a strong sense of façade, like the gold rush ghost towns, a fancy front on something very simple and ordinary.” Barreled shaped vessels reminiscent of Pennsylvania Dutch pickle jars are covered with three-dimensional flowers, elephants, turtles, four leaf clovers and horseshoes creating a playful fantasy. The objects luster glaze adds to the exuberance of ornamentation. Decorated with emblems of luck and fortune they convey a sense of hopefulness; an earnest and honest reflection on the dreams and heritage of the west.

 
HELLO! hello!, 2005
Porcelain
Two Sets of 6 pieces
9 5/8" x 8 1/2" x 1 1/4"
 
HELLO! hello! (detail)
 
Pickle Jar, 2005
Ceramic
15 ½" x 13" x 13"

 
Fu Dogs, 2005
Ceramic
Left: 10" x 9 ½" x 7"
Right: 10" x 19 ½" x 7"
 
Pickle Jar , 2005
Ceramic
13 ¼" x 11" x 12"
 
Fu Dogs, 2005
Ceramic
Left: 13" x 10 1/2" x 8 ½"
Right: 13" x 10" x 8 ½"
 

 

        Fu Dogs, 2005
Ceramic
Left: 16" x 11" x 7 ½"
Right: 16" x 11" x 8"

 
 
       
        Fu Dogs, 2005
Ceramic
Left: 12 ½" x 11 ½" x 8 ¼"
Right: 13" x 11 ½" x 8"