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John Bankston
Amy Blakemore

Davis and Langlois
Tanya Batura
Margot Quan Knight
Mirror Mirror
Alexander Kroll
Jason Hirata
Amir Zaki
Ron Nagle
Akio Takamori
Danny Lyon
Mary Ann Peters
Luis Tomasello
Eric Elliott
Andrew Witkin
Jeffry Mitchell
Steve Davis
Introductions: David Huffman
Adam Sorensen
Francois Van Reenen
Beth Campbell
Claude Zervas
Stephanie Syjuco
Todd Simeone
Jason Teraoka
Vik Muniz

Scott Foldesi
Mark Mumford
Claire Cowie
Yunhee Min
Roy McMakin
Tania Kitchell
Richard Rezac
Carlos Vega
Eric Elliott
Squeak Carnwath
Maki Tamura

Margot Quan Knight
Gary Hill
Message In A Bottle
Adam Sorensen
Claire Cowie
Bing Wright
Roy McMakin
Katrina Moorhead
Claudette Schreuders
Marcelino Goncalves
room X room
Rashid Johnson
Scott Foldesi
Shaun O'Dell
Claude Zervas
Amir Zaki
Glenn Rudolph
Angela Fraleigh
Jeffry Mitchell
Steve Davis
Mary Ann Peters
Mark Mumford
Roy McMakin
Geoffrey Chadsey
Patrick Holderfield
Junctions
Todd Simeone
Claire Cowie
Laura Letinsky
Keith Tilford
Mary Ann Peters
Jeffry Mitchell
Richard Rezac
Stephanie Syjuco
Claude Zervas
Squeak Carnwath
Marcelino Gonçalves
Peter Schuyff
Tom Baldwin
Tania Kitchell
Jeffry Mitchell

Shaun O'Dell

Mark Mumford

Efrain Almeida

Keith Tilford
Glenn Rudolph
Claire Cowie
Patrick Holderfield

Ramona Trent
Roy McMakin
Yunhee Min

Claude Zervas

Casey Keeler

Henry Turmon
Lisa Liedgren
Laurie Reid
Amir Zaki
Adam Ross
Richard Rezac
Geoffrey Chadsey
Claire Cowie
Michelle Fierro


Todd Simeone: Two Hundred and Thirty Feet
April 2 to May 2, 2008


 

Far Beyond, 2009,
Gouache over Ultrachrome Inkjet on Stonehenge Paper, 22" x 30"

James Harris Gallery is pleased to present its second solo exhibition by Todd Simeone.  The artist continues to engage in negation and disappearance as tools to investigate the limitations and predetermined structures of popular design, and language.  Applying a wide array of photographic and digital strategies to the familiar, Simeone dissects visual codes while revealing underlying beauty and sentiment in what often goes unnoticed.

Two Hundred and Thirty Feet presents Simeone’s adaptation of a treasure hunt spanning nearly two hundred years; the mystery of Oak Island.   This popular account begins in 1795, when a teenage boy discovers what is believed to be pirate treasure.  Through an investigative dig, hundreds of clues and artifacts are discovered, but only enough to keep subsequent treasure hunters returning, digging deeper, finding more important artifacts and markers, and building a continuing mystery.  

This account is retold through a single channel text-based animation. Simeone uses the pit and its attained and unattainable artifacts as both structure and allegory.  The artist “digs deep” into the relationship between spoken and written words, language and experience, fact and fiction.

Accompanying the video are works on paper based on rock and punk iconography from the artist’s youth.  Continuing his use of appropriation and editing, Simeone creates “posters” by remixing graphic band logos and pairing them with traditional photographic elements. The result uses Simeone's deadpan aesthetic to create a wall of sound, transcending nostalgia and leaving a lingering atmosphere of beauty and familiarity.

Todd Simeone received his MFA from the University of Illinois at Chicago in 2008, and a BFA from the University of Washington in Seattle. His work is included in major collections including the Progressive Corporation in Cleveland, Ohio and Microsoft in Redmond, WA. He currently lives and works in Chicago and teaches in the Photography Department at the School of the Art Institute.

 

Banner (Pantera), 2009
Gouache on Ultrachrome Inkjet Print on Stonehenge Paper, five panels

29 3/4 x 22 inches each, overall 29 3/4 x 116 inches
Untitled Poster #1(Metalica), 2009
Gouache on Ultrachrome Inkjet Print on Stonehenge Paper, five panels

24 1/4 x 18 inches
Untitled Poster #1(Misfits), 2009
Gouache on Ultrachrome Inkjet Print on Stonehenge Paper, five panels

24 1/4 x 18 inches