Carlos Vega
Eric Elliott



Tania Kitchell
Richard Rezac


Squeak Carnwath
Maki Tamura

Margot Quan Knight
Gary Hill
Message In A Bottle
Adam Sorensen
Claire Cowie
Bing Wright
Roy McMakin
Katrina Moorhead
Claudette Schreuders
Marcelino Goncalves
room X room
Rashid Johnson
Scott Foldesi
Shaun O'Dell
Claude Zervas
Amir Zaki
Glenn Rudolph
Angela Fraleigh
Jeffry Mitchell
Steve Davis
Mary Ann Peters
Mark Mumford
Roy McMakin
Geoffrey Chadsey
Patrick Holderfield
Junctions
Todd Simeone
Claire Cowie
Laura Letinsky
Keith Tilford
Mary Ann Peters
Jeffry Mitchell
Richard Rezac
Stephanie Syjuco
Claude Zervas
Squeak Carnwath
Marcelino Gonçalves
Peter Schuyff
Tom Baldwin
Tania Kitchell
Jeffry Mitchell

Shaun O'Dell

Mark Mumford

Efrain Almeida

Keith Tilford
Glenn Rudolph
Claire Cowie
Patrick Holderfield

Ramona Trent
Roy McMakin
Yunhee Min

Claude Zervas

Casey Keeler

Henry Turmon
Lisa Liedgren
Laurie Reid
Amir Zaki
Adam Ross
Richard Rezac
Geoffrey Chadsey
Claire Cowie
Michelle Fierro

Previous Exhibition

Todd Simeone
A Difference of Outlines and Outcomes
June 22 - July 29, 2006

 

James Harris Gallery is pleased to present new work by Todd Simeone. In renewing a consistent theme throughout art history, Simeone’s latest body of work highlights the artist’s interest in the way a picture can also be an object in and of itself, not simply a representation of something. By appropriating familiar or typical images – such as Federal Express boxes, dice, and wallpaper – and then digitally or physically manipulating these images, the artist is able to both emphasize and question what is concrete in the world around him.

His Express Box (extra large - smashed flat), 2006 for example is a photograph of a FedEx shipping box. Flattened and then altered so that almost all of the logo and other identifying insignia are removed, Simeone exposes the often overlooked arrow that is buried between the “e” and the “x” in the logo. In removing the other signifiers that reference the international shipping company, Simeone creates a cardboard sign of sorts, telling us which way to go or to look or to see.

Artists have long grappled with the subject that Simeone tackles, playing with the difference between rationalism and logic, between memory and imagination, and even with the difference between what we see and what we remember. Where Simeone diverges and updates on this venerable subject is in manipulating both his tools and his subject matter so as to create new and seamless objects without offering absolute answers.

This is not the portrait of an artist who subscribes to some utopian version of art that might allow him to escape the boundaries of metaphysics. Simeone does not want for these objects to supersede their role as art objects. Rather, through various techniques and not without humor, Simeone accentuates the foundations of something familiar - wallpaper is wallpaper, a sign is a sign – and plays with the difference between what is certain and what is uncertain about these objects.

This exhibition has been made possible in part due to help from Artist Trust.

Six Ways to Roll Seven, 2006
Suite of 6 images
Ultrachrome inkjet prints
Edition of 3
Each: 14" x 14"
   


#1 - 1 and 6 #2 - 3 and 4
#3 - 2 and 5
 
#4 - 4 and 3
#5 - 5 and 2
#6 - 6 and 1  
       

     
       
       

 

 
Please click on thumbnails for larger images to open in a new window
 
Installation views
 
   
 
   
 
 

 

 

 



 
A Plan for a Plan, 2006
Ultrachrome inkjet print Ed.of 3
44” x 57 5/8”
 
 


 
Express Box
(extra large - smashed flat)
, 2006
Ultrachrome inkjet print, Ed. of 3
39 1/4" x 57 7/8"
 
 

 
Untitled Wallpaper , 2006 (detail)
hand etching in inkjet transparency in light box
42" x 60"